Jarvis Cocker, Pulp

December 1992  Sly St Studio, London E1

Early Jarvis, around the time of the first release of Babies on Gift Records, shot for NME.

Jarvis has described the tunes as "a fairly poppy song with slightly iffy subject matter".

It plays with dark themes of obsession, betrayal, and sexual awakening, all wrapped in an irresistibly catchy tune.

So that's nice!

I guess the clock was just one of those things that end up lying around photo studios, I have no idea how it ended up in Jarv's hands.